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Looking for Love…

Monday, 12 December, 2011

Hi all. Just posting to say that sales of All Downhill from Ivan Puffenbarger are going well. You may continue to buy the book directly through me or on Amazon. Is it schlocky to say, “My book makes a great Christmas gift!!” Well, it does.

I’m not going to be posting here very frequently because I’m focusing all my attention on finding an agent. If any of you fine folks have inside info — having gotten your own agent or worked with an agent or perhaps being married to one? — please share your story.

And though that’s all very dry and boring, I want to also officially announce here that I’m working on a new project. It’s called Wondermelt and that’s all I’m going to tell you about it. For now.

Sending happy holiday vibes out to all of y’all. Thanks for reading.

All Downhill from Ivan Puffenbarger

Sunday, 19 June, 2011

Well folks, the time has come! Isn’t that from the Walrus and the Carpenter or something? Annnnyway. I’m here to impart information on how to purchase my first book, All Downhill from Ivan Puffenbarger. You can check out a cool 3-D imaging of it below.

Buy the book from Amazon here: http://amzn.to/kgbzx3 or by emailing alldownhillbook@gmail.com. Copies are $15 and I’ll sign yours for free, if you ask!

An alternate website, www.alldownhillbook.com, is in the works and should be up and running soon. As always, thank you for reading.

All Downhill from Ivan Puffenbarger

There! Officially, Really, Actually, Literally There!

Monday, 25 April, 2011

You are cordially invited to celebrate the launch of my first book, All Downhill from Ivan Puffenbarger.

Saturday, May 28 at 6 p.m.
At The Bubble Lounge in Tribeca, NY
Cocktail attire

Please rsvp to Molly.Seltzer@gmail.com

Nearly Nearly There!

Tuesday, 1 March, 2011

All: thank you for your infinite patience as I push through the final stages of writing and publishing the book.

The good news is that it really is the final stages, and I should have a date set for a reading/launch party within a few weeks.

The less good news is I’ve been abandoning you here and elsewhere and for that I’m very sorry. And also very excited. Things are happening! Stick with me…

Nearly There!

Monday, 6 December, 2010

Greetings, wonderful people. Just an update to say editing on All Downhill is going well. We’re still on schedule for a first printing in early 2011. I will keep you in the loop regarding an impending reading and book release party in NYC.

For now — we have 30 days to finish raising funds on kickstarter. If we don’t make the $2,000 goal, no money is distributed, so please spread the word. The project is listed here.

And finally, here’s one publicity photo from my recent session shooting for the back cover of the book. Life has suddenly become so strange.

Molly Seltzer

Authorialization

Monday, 8 November, 2010
Dear readers. I have written a book. And it’s going to be published. (Eek!)
It’s a collection of some of these columns about life in New York and has the lovely addition of some previously unpublished short stories. First printing is planned for early January.
I expect to self-publish the book using a design site called www.blurb.com. There’s ferocious team of editors, graphic designers, artists and proofers working with me, and we’re already about a quarter of the way through editing. (I am in talks with a few publishing houses, though few = 2 and ‘talks’ may be kind of a liberal way of putting it.)
I have funding for printing and shipping, but I’d like to lower the cost of the book to about $10. (At least until it hits its third year on the NYT best-seller list.) This is where you come in –  a really cool nonprofit called Kickstarter has agreed to promote my book on their site. It works on a tipping point principal like Groupon or Kiva. My goal is to raise $2,000 by the first week of January.
You can donate or just check out the project here: http://bit.ly/mollybook None of this would have happened without your readership and support through this blog. Thank you from the bottom of my ickle heart.
Holy crap guys, we did it.

That Girl’s Got a Set of Pipes!

Monday, 16 August, 2010

When my bathroom sink clogged, I approached it as I do most life crises. I doused the thing in Drano and hoped for the best.  When the now-fluorescent waters remained several hours later, I knew I was in for a ride.

I’ve never had much luck with water pressure. (Or men.) (And wouldn’t that be a great first line to a novel?) I grew up on a farm. We were fed our water from a spring across the road. I spent many a summer day padding barefoot through the dark, musty springhouse and feeling girlishly apprehensive about the silt settled at the bottom of our water tanks. I spent many a summer night standing impatiently under a dribbling shower waiting for enough precipitation to clean my dusty feet.

My nervousness about country water was only furthered by what happened many years ago, while I was away at summer camp. I was told all this later, but it’s never left my consciousness and serves both to prove our family’s rurality and my father’s age.  One year — I imagine in early June, when the grass was still cool in the mornings and the snakes hadn’t yet come down the mountains — my mother noticed that our water tasted funny. She mentioned it to my father, who flagrantly brushed aside this comment, along with others like ‘We should get a lock for the front door’ and ‘I’m not sure spinach quiche is supposed to have mandarin oranges in it.’

A few weeks later, she found the water tasted more strongly. Not bad, exactly, just off. Maybe a little metallic? Maybe it was cloudier than usual? Again, a pooh-pooh from the peanut gallery. A few weeks more, and my father comes into the living room and asks my mother if the water seems funny. They investigated and found a large (dead, bloated, rotting) salamander stuck in the water pipe. My parents had been drinking dead-amphibian water for nearly two months. They had, literally, lizard in their gizzards.

This is what runs through my head as I stand over my white sink in Queens, willing the drain to suck. I pray for the underwater tornado to appear. I fret, I wring my hands, I read the back of the Drano bottle obsessively.

Eventually, I call my mother.

“Hey, sugar, how are things in the big city?”

“Stagnant.”

“Don’t worry. You’re a tough country girl, you can fight off whatever’s bothering you.”

“It’s more of an unseen enemy.”

“Well there’s always MeeMaw’s old cure-all.”

“Which is?”

“Give it a good slug of bleach. That’ll fix anything.”

And that’s exactly what I did. I poured half a bottle of bleach into the bright green ooze in my porcelain sink and closed the door so the cat couldn’t get anywhere near the muck. Two hours later, I donned goggles (to help my eyes with the burn) and a swim cap (can’t hurt to put another layer around my brain, I figured) and entered the chlorine sauna.

Lo and behold, the water was gone.  I’d eliminated yet another problem and filled in the gap with a small sense of loneliness. I found myself quieted again –  just a city girl, standing in a bathroom.

New Yangst

Tuesday, 10 August, 2010

This week, New Yorkers seem more bitter than usual. (It’s like the difference between a tidal wave and a typhoon, but what’s a good lunarial shove between friends, eh?) Might be the summer winding down or just the fact that we’re between seasons of Real Housewives.  I know I’ve been feeling unsettled.

I’m planning to spend the month of September working from my home in the mountains of Appalachia. This is a source of great joy and great stress. It’s also causing me to look too far forward; I find myself buying one orange, thinking I won’t eat more than that before I have to leave. I should say that I’m the kind of girl who can eat an orange per hour, so this is quite a cutback, since I have a full three weeks before departing.

Along with my trip home, I’ve been feeling the urge to travel abroad.

Last year I visited a friend living in the Netherlands. I came away with an appreciation for canals, a slight fear of Belgium and knowing the Dutch word for garlic. (Knoflook.) What I remember most, though, was my first night there. I arrived about 6 a.m. in Den Haag, having been up about 24 hours. She deposited me at her house and toddled off to work, and I promptly fell asleep. When she got home, we went out into a beautiful early fall sunset and walked round her lovely city. I, like any good tourist, nearly collided with a bicycle every chance I got. I also dropped the little plastic fork I was meant to eat my pommes frites with and had to ask for another. My most bourgeois moments.

That night, my hostess went to bed, but I was wide awake. I stood in her living room and looked down her beautifully narrow European street into an open square. I saw the fountain being turned off.  I watched the moon hang over nearby apartments. I took this photo.

Den Haag

I flipped through her foreign channels and found reruns of an old Australian show called The Secret Lives of Us. It was one of those elusive television moments when you stumble upon something that will become so much a part of your psyche that you can no longer remember if it was you or the protagonist who developed an opinion or preference or catchphrase. Forget instant play, this show and I were instant friends.  I sat on a creaky Dutch couch and ate stroopwafel with thick strawberry yogurt and chunks of real, rich European chocolate. Everything was dark and still and quiet, and I couldn’t have been happier.

This is what I envision when I think of living abroad, the sense of newness and satisfaction that comes with traveling outside your comfort. It’s so much easier to imagine a different version of oneself with a drastic scenery change. I’m reminded of stage managers calling for a bath of blue lights, then red, as people dressed in black scuttle around, pushing fiberboard cutouts around.

My mind knows this is not the reality of moving out of the United States. I can convince my brain of the obvious problems and setbacks. But, right now, my angsty New York feet are aching to be somewhere else, though I know I’m home.

A Warm Summer Night

Wednesday, 4 August, 2010

Slowly, I rock.

side

to

side

I feel the base of my back against the deck’s wood. I feel my right-hand fingers scrubbing slowly up and down on my pocket’s zipper. I feel the salt drying between my toes. It is a buttery night, and this boat and I are gliding through the waters off Rhode Island.

There are seven of us lying on the deck, all looking up, all silent. We’re tired in that beachy way and thirsty and tender from new sunburns. Swirling just below the ocean breeze is the milky ghost of my teenage dreams, of kissing on ferris wheels and late-night visits to someone else’s couch. I know without asking that all of us feel it. Swift and searing New Yorkers, just this once we allow ourselves to revert back. To relapse to humanity. My god. How we are romanced by our surroundings. I think of Rousseau’s “The Sleeping Gypsy.”

"The Sleeping Gypsy" by Rousseau

Next to me, Andrew rolls himself over. He is short and a little doughy (though English, which makes it make sense, I tell myself). His blond hair is soft and clings to my hand, like I think a baby’s would. I wish it were fuller, but then I notice how serious his eyes are, and I laugh to cover my anxiety. Andrew is new to this group, a favorite ex-boyfriend of my friend’s and ought not to be touched. I try to think of the most un-comely thing to say.

“I wish I were a mermaid.”
“What color would your shells be?” he asks.
“Not shells. Hollowed out sea urchins, so certain young mermen don’t get fresh.” A smirk. Damn. I decide to try to frighten him with honesty.
“I think I would be the happiest I could be if I was swimming alone through some beds of kelp.”
“Don’t divers get snagged in those and die?”
“Yep,” I say and watch a constellation finally pass out of sight as the boat flows on. “An element of violence is necessary to every important action. Surely you know that. And just think how quiet it would be.” Andrew leans and lets the rocking carry his weight back until he settles flat again.

Later, when everyone has paired off or gone inside to do the dishes and have a few more beers, I am standing at the railing, feeling the ocean slip by. I don’t really think of Andrew. I am too interested in myself at this moment, of what I’ll think and how I’ll feel. It is one of the times when I am all I need, though I am not perturbed when he stands next to me. Just surprised.

“Hallo, mermy.”
“I cannot believe you just interrupted mon reverie with that.”

Soon he puts his hand on my elbow. It is a strange feeling, his warm skin cupping my cold and neglected joint. We are like this for miles and miles. Later, once everyone’s cigarettes are crumpled and the yellow cabin light extinguished, I tell him the story of Oscar Wilde’s grave.

“It’s in a cemetery in Paris, and there’s a big gray statue on top of it. It’s a winged figure that’s arching up to take flight. One of the first statues that gave me any real sense of movement. Anyway, it’s beautiful and a little simple, but the best part is that women from around the world come to his grave and kiss it, so all over the monument there are red lip marks. Isn’t that wonderful?”
“I thought he was gay.”
“He is. And that’s sooooo romantic.” I am tired now. I take a big breath and lean forward on the boat’s railing. His hand falls from my arm and as I turn, I hear Andrew quote from Wilde’s “Wasted Days”:

“The boy still dreams: nor knows that night is nigh:
And in the night-time no man gathers fruit.”

New York at Night (Part One)

Saturday, 24 July, 2010

In London, Roald Dahl called it the witching hour. The dark pitch of night around 3 a.m., when evening animals fall asleep and morning ones haven’t begun to rise. It was when the Big Friendly Giant went roaming the streets and ultimately met Sophie, a small English girl with grit and curiosity. It was the type of meeting that could only happen during that special time.

New York has its own witching hour, and it’s between 11:30 and midnight, when I’m riding the subway home from Manhattan. I’m tired, but I don’t close my eyes. There’s too much to see; the train is packed. After all, Astoria is both a neighborhood destination and a going-out location. Some people will soon be flirting with a bartender while others are lancing towards bed.

There must be a reason why some of my most memorable New York moments happen at this hour. I’m usually exhausted, after being social for some time before. It’s a relief to not have to speak to anyone and allow myself to look around the subway car and introspect until I’m satisfied. There’s the sleepiness of having a full meal of a day. I often listen to this song Raised by Swans’ “Violet Light”. (Editor’s note: the song will open in this window. I’ve written this post with the idea that you’ll play the song while reading, so you may have to disable pop-ups and pull up two pages to get the full effect. It’s worth it. Promise.)

A year ago, the train car was full. I was standing, looking out the dark window and trying to scope the people sitting below me without being seen. I was too tired to truly disguise my curiosity at the two women there. Each was wearing heavy makeup and glittery lipstick. One had a black satin shirt and the other silver sparkles. I knew immediately something was different about them. After a few stops, I decided they were likely transvestites, or at least cross-dressers. (Not like the bearded man in a dress I saw at Penn Station last week. This pair was aiming for similarity, if not authenticity.) As I continued to consider their imagined lives, the one in silver looked up at me and smiled. It was a dinner-party smile. The kind you give when you’ve met someone you immediately like and something funny happens. You create an unearned intimacy, but it makes you both feel good. That’s what she gave me.

The ride continued. Every so often, I would look down and she would roll her face up to mine and smile that smile. I returned it, but tentatively. It was late, and I didn’t want to encourage unwanted attention or send the wrong signal. (Sometimes New York is like being in a foreign country, where I can’t automatically figure out the cultural implications of my acts.) As our interaction continued, I became more curious. Her smile never changed. There was nothing sexual, no come-hither. It never got any more or less intimate or involved. I felt safe and content in her friendliness, which surprised me. When I got off the train I stood outside the window as it revved and then rumbled past. The other passengers streamed around me like water, but I waited silently until she looked my way.

I waved, and then I walked home.