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New writing!

Well – soon. I just got signed up to do some work for one of the coolest projects out there – The RS 500. In November 2003, Rolling Stone published its infamous 500 Greatest Albums of All Time list (I’m still stung that Harvey Danger didn’t make the list. Honestly!). The RS 500 site is revisiting that by assigning one writer per album to complete an essay or piece of flash fiction inspired by or relating to the songs.

I’ll be appearing in February with a discussion of The Yardbirds. Can’t wait!



Knock Knock

My writing goal is to become a humor columnist, most of you know that. There’s no clear path to get there, which is why I’m working as a full-time headline reporter and blogging here once a week. This is the place to hone my skills and test my wits and enjoy my father’s weekly commentary at the bottom of each post. He, by the way, has for some reason decided to pen-name as Briggsie, our dead family dog. One wonders.

I don’t plan on being in New York forever. I’d like to spend some part of my 20s in at least one more city, hopefully abroad. With this in mind, I feel pressure to meet and learn from other writers. I should say that, so far, I have met no other humor writer. Nor have I met any writer doing what I want to do or who appreciated, particularly, what I had to offer. This is very discouraging to someone who thought she had plopped herself in the bosom of a million other writers who’d at least get her jokes. Not so.

I tried to network through friends. I researched writing groups. I signed up on mailing lists of book groups. I tried to go to one storytelling event at The Moth but it was rained out. Apparently insects don’t like to get wet. I’ve been to a few journalism networking events and have met some lovely (and kooky and unemployed) people, but no one I thought could teach me more about being funny. Very disappointing.

Last week, wavering between calm desperation and desperate calmness, I attended an event hosted by the Paley Center for Media. The evening featured a panel of women who write for late-night comedy shows like The Colbert Report and The Late Show with Jimmy Fallon. I arrived with five minutes to spare, having spent half an hour waiting for Obama’s motorcade to pass my blocked-off street. I finally cut towards the park and slipped under some Do Not Cross lines, reciting in my best David Attenborough: “The intrepid journalist moves along the forest edge, trying not to disturb the other creatures around her as she stalks her prey.” In any case, I arrived. And I very much enjoyed the discussion. I…. aspired.

I was fascinated to hear the experiences of women “in the writer’s room,” creating gags and monologues for our most revered comedians. Some of them grew their humor through improv comedy and one (the funniest, Morgan Murphy) regularly does stand-up. I have no interest in either of those genres. I asked a question at the end of the panel about whether any of the women also did humor writing for print. None did.

I left feeling more inspired and energetic than I’ve felt in a long while. So much so that I signed up for a sketch and sitcom-writing class as soon as I got home. I fell into bed feeling happy, content and on my road again. Moving forward.

It wasn’t until the next morning that I learned there was a waiting list and it could be months before I ever get the opportunity to bomb a joke in front of peers. I shall endeavor on, one titter at a time, until I’m famous or knock-knocked out. Which brings me to what I really want to know: who’s there?